Toni de Bromhead Muddied Waters. The Fictionalisation of Ethnographic Film 2019, Intervention Press Website Visual anthropologists and ethnographic film-makers continue to disagree on what is and what is not ethnographic film. Meanwhile the situation becomes ever more unclear, possibly to the detriment of ethnographic film. Toni de Bromhead now tackles this problem from Continue Reading
Carmela Garritano African Video Movies and Global Desires. A Ghanaian History 2015, Ohio University Press Website African Video Movies and Global Desires is the first full-length scholarly study of Ghana’s commercial video industry, an industry that has produced thousands of movies over the last twenty years and has grown into an influential source of cultural […]Continue Reading
Jonathan Haynes (ed) Nigerian Video Films 2000, Ohio University Press Website Nigerian video films—dramatic features shot on video and sold as cassettes—are being produced at the rate of nearly one a day, making them the major contemporary art form in Nigeria. The history of African film offers no precedent for such a huge, popularly based […]Continue Reading
Robert J. Gordon Picturing Bushmen. The Denver African Expedition of 1925 OHIO UNIVERSITY PRESS, 1997 https://www.ohioswallow.com/book/Picturing+Bushmen The Denver African Expedition of 1925 sought “the cradle of Humanity.” The explorers returned claiming to have found the “Missing Link” in the Heikum bushmen of the Kalahari—and they proceeded to market this image. As Continue Reading
Vizantrop Festival 2019 VAC’s 7th School of Visual Anthropology invites film-makers, anthropologists, photographers, social scientists and activists from all over the World to join us in Belgrade between the 10th and 20th of July 2019 and take the opportunity to learn, share knowledge, experience and be a part of our hub. VAC isn’t merely looking […]Continue Reading
Modernist Art in Ethiopia Elizabeth W. Giorgis Ohio University Press, 2019 Web Site If modernism initially came to Africa through colonial contact, what does Ethiopia’s inimitable historical condition—its independence save for five years under Italian occupation—mean for its own modernist tradition? In Modernist Art in Ethiopia—the first book-length study of the Continue Reading