| Author |
Title (click on the title and go to the web site) |
| ANDERSON Kevin |
Ethnographic Hypermedia: Transcending Thick Descriptions |
| ASTUDILLO Antonio |
Simulacro de emancipacion. La representatiòn de la identidad mexicana en Malinalco |
| BAJAZ IRIZAR Maria Paz |
La representación de una presentación |
| BANKS Marcus |
Interactive Multimedia and anthropology - a sceptical view (1994) |
| BANKS Marcus |
Visual research methods |
| BONTEMPS Alex |
Representing Slavery: A Roundtable Discussion |
| BRISSET Demetrio E. |
Acerca de la fotografìa etnogràfica |
| BRUGNOLI Valeria |
Trazos Urbanos de una identidad |
| BURNETT Ron |
The eyes don't have it:video images and ethnography |
| BURNETT Ron |
Critical Approaches to Culture, Communications and Hypermedia |
| CALLISON Candis |
Truth in Cinema: Comparing Direct Cinema and Cinema Verité |
| CAMPOS Luis |
Etnicidad e iconos no tradicionales de representaciónentre los Mapuche de Santiago |
| CARSWELL Sue |
Aesthetic Choices: Negotiations in the Field |
| CIARCIA Gaetano |
L'ethnofiction à l'oeuvre. Prisme et images de l'entité Dogon |
| CONORD Sylvaine |
La choix de l'image en anthropologie: qu'est ce qu'une "bonne" photographie? |
| CRINALL Karen |
My Aunt, Our Mother, Their Face: Sharing Identity in a Family Photograph |
| DADLA Joy |
Capturing the Past |
| DE FRANCE Claudine |
L'antropologia filmica: una genesi difficile ma promettente |
| FARIS James C. |
Photographic Encounters: Leni Riefenstahl in Africa |
| FLAHERTY Robert J. |
Life Among the Eskimos (1922) |
| FLAHERTY Robert J. |
How I Filmed 'Nanook of the North (1922) |
| FLAHERTY Robert J. |
Picture Making in the South Seas (1924) |
| FLAHERTY Robert J. |
The Handling of Motion Picture Film Under Various Climatic Conditions (1926) |
| FLAHERTY Frances Hubbard |
The Odyssey of a Film-Maker (1960) |
| FORBIS Melissa M. |
"This is my body": Gender, tattooing and resistance in the United States (1994) |
| FRIED Gregory |
True Pictures |
| GARCIA Antonio |
La imagen etnographica |
| GAULE Sally |
Juxtaposing Race: Configurations of Alterity in South African Photography |
| GONZALEZ RAMOS Ana Maria |
Los graffiti de La Chana como proceso inconsciente de afirmación del barrio |
| GROSS Larry |
Life vs. Art: The Interpretation of Visual Narratives (1983) |
| JACKA Tamara & PETKOVIC Josko |
Ethnography and Video: Researching Women in China's Floating Population |
| JACKNIS Ira |
Alfred Kroeber and the Photographic Representation of California Indians |
| HENLEY Paul |
The Promise of Ethnographic Film |
| HERENIKO Vilsoni |
Representations of Pacific Islanders in Film and Video |
| HUGHES-D'AETH Tony |
Ethnographic Photography and John Lindt |
| JAMES Allison and BOOT Jo |
Anthropology Meets Photography on the Internet |
| JONES Nora L. |
The Mütter Museum: The Body as Spectacle, Specimen, and Art |
| KANNIKE Anu |
Picture as a Source of Everyday Culture |
| KRASE Jerry |
The Present/Future of Little Italy (Photoessay) |
| KOURI Mauro Guilherme Pinheiro |
A Fotografia Mortuária na Cidade do Recife, Pernambuco:
Indicadores de um Imaginário Urbano sobre Fotografia e Morte nos Finais da década de 1990 |
| KUPIAINEN Jari |
Toto isus, Charms and Photos: Visual Ethnography on Gatokae, Western Solomon Islands |
| LAUGHREN, Pat and LONG, Chris |
Australia’s first films: facts and fables |
| LEITE Marcelo Eduardo |
Militao Augusto de Azevedo:Um olhar particular sobre a sociedade paulistana (1862-1887) |
| LEE Kijung |
Film, Culture and Generation Gap: An Anthropological Study of Chimhyang, a Korean Feature Film |
| LEONARD Alex |
What Filming Feels Like |
| MACDOUGALL David |
Social Aesthetics and The Doon School |
| MASLIN Marcel |
Baldwin Spencer, cinematographer |
| MASON Bruce |
The Digital Ethnographer |
| MATHERS Museum |
Reading Photographs (American Indians) |
| MICHAELS Eric |
TV Tribes (1982) |
| MICHAELS Eric |
A model of teleported texts (with reference to Aboriginal television) |
| MONRO Kylie |
Representations of Tibetans |
| MONTE-MOR Patricia |
Sobre antropologia e imagem |
| MORTON Chris |
‘Interesting and Picturesque’: Staging Encounters for the British Association in South Africa, 1905 |
| NORDSTROM Alison Devine |
Persistent images : photographic archives in ethnographic collections |
| OFFLER Naomi |
Shock, Judgement, and the Stereotype: Exploring the Role ofEmotional Response in Ethnographic Film Reception |
| OHA Obododimma |
Yoruba Christian Video Narrative and Indigenous Imagination |
| PEREIRA Claudio |
O filme etnografico como documento historico |
| PLATTET Patrck |
La course de deux bous du rennes, commentaire ethnologique d'une photographie de terrain |
| POIGNANT Roslyn |
The photographic witness? |
| PULJAR Sanja |
The Impact of Filming on a Local Custom |
| PROSSER Jon |
Personal Reflections on the use of Photography in an Ethnographic Case Study |
| RAMOS Jorge |
Acerca sobre las discursividades |
| RATCLIFF Don |
Video and Audio Media in Qualitative Research |
| REDDY Prerana |
The Emergence of Ethnographic Film Practice: Past Travels and Future Itineraries |
| REINWALD Brigitte |
Film, orality and performance : "Keita - L'heritage du griot" |
| REYNA Carlos |
Video e pesquisa antropologica: encontros e desencontros |
| ROBERTS Martin |
The Self In the Other: Ethnographic Film, Surrealism, Politics |
| ROBINSON Penny |
I Had a Funny Experience One Day: An exploration of some aspects of the experience of researching the life story of a New Zealand former Prisoner-Of-War using personal narrative, audio-recording and photo-elicitation as research methods |
| REYNA Carlos Perez |
Video e investicaciòn antropològica |
| ROTHA Paul |
Robert J. Flaherty, a Biography by Paul Rotha. Edited by Jay Ruby (1983) |
| RUBY Jay |
The Death of Ethnographic Film |
| RUBY Jay |
The teaching of visual anthropology (1989) |
| RUBY Jay |
Is an ethnographic film a filmic ethnography? (1975) |
| RUBY Jay |
Visual Anthropology ---------------------------- (Spanish version) |
| RUBY Jay |
Exposing yourself : Reflexivity, anthropology and film |
| RUBY Jay |
Seeing Through Pictures : The anthropology of photography |
| RUBY Jay |
An anthopological critique of the films of Robert Gardner |
| RUBY Jay |
The belly of the beast: Eric Michaels and the anthropology of visual communication |
| RUBY Jay |
Franz Boas and Early Camera Study of Behavior |
| RUBY Jay |
Out of th e Sync : The cinema of Tim Asch |
| RUBY Jay |
Speaking in tongues :Locating a New Voice for Ethnographic Film |
| RUBY Jay |
Review of "Ethnographic Film" by Karl Heider |
| RUBY Jay |
Up the Zambezi... |
| RUBY Jay |
The Viewer Viewed: The Reception of Ethnographic Films |
| RUBY Jay |
Some Oak Park Stories: Experimental Ethnographic Videos |
| RUBY Jay |
The Professionalization of Visual Anthropology in the United States - The 1960s and 1970s |
| RUOFF Jeffrey |
Conventions of Sound in Documentary |
| RUOFF Jeffrey |
An Ethnographic Surrealist Film: Luis Buñuel's Land Without Bread |
| RUOFF Jeffrey |
On the Trail of the Native's Point of View: The Göttingen International Ethnographic Film Festival, Göttingen, Germany, May 11-15, 1994 |
| RUOFF Jeffrey |
Reminiscences of a Journey to the Flaherty Film Seminar |
| RUOFF Jeffrey |
Around the World in Eighty Minutes: The Travel Lecture Film |
| RUOFF Jeffrey |
Can a Documentary Be Made of Real Life |
| RUSOWSKI Daniela |
Distinciones Históricas y conceptuales |
| SHERWOOD Robert E. |
"Nanook of the North"in The Best Moving Pictures of 1922-23 (1923) |
SOCIETY FOR VISUAL ANTHROPOLOGY |
Guideline for the Evaluation of Ethnographic Visual Media
|
| STRASSLER Karen |
Stories of Culture: Difference, Nation and Childhood in "Children of a Thousand Islands", an Indonesian Television Series |
| TAKARAGAWA Stephanie |
Experimental Ethnography |
| TOMASELLI Keyan & PRINSLOO Jeanne |
Video, realism and class struggle: theoretical lacunae and the problem of power |
| VASQUEZ Fernando |
Imagen, comic e antropologia |
| VEGA SOLIS Cristina |
Miradas sobre la otra mujer
en el cine etnográfico |
| WILLIAMS Carol C. |
Photographic Portraiture of Aboriginal Women on Canada's Northwest Coast circa 1862-1880 |
| WORTH Sol |
Studying Visual Communication (1981) |
| WORTH Sol |
Toward an ethnographic semiotics (1977) |
| WORTH Sol |
Margaret Mead and the Shift From "Visual Anthropology" to the "Anthropology of Visual Communication |
| WORTH Sol and ADAIR John |
Through Navajo Eyes |
