|
Author |
Title
(click
on the title and go to the web site) |
|
ANDERSON
Kevin |
Ethnographic
Hypermedia: Transcending Thick
Descriptions |
|
ASTUDILLO
Antonio |
Simulacro
de emancipacion. La representatiňn
de la identidad mexicana en
Malinalco |
|
BAJAZ
IRIZAR Maria Paz |
La
representación de una presentación |
|
BALL
W. Mattew |
Understandig
What We See: Subject, Author, and
Audience in Visual Anthropology |
|
BALL
W. Mattew |
Subject,
Author, and Audience Revisited:
Ethnographic Film Study |
|
BANKS
Marcus |
Interactive
Multimedia and anthropology - a
sceptical view (1994) |
|
BANKS
Marcus |
Visual
research methods |
|
BAKKER
Kees |
A
Way od Seeing. Joris
Yvens's Documentary Century |
|
BONTEMPS
Alex |
Representing
Slavery: A Roundtable Discussion |
|
BRISSET
Demetrio E. |
Acerca
de la fotografěa etnogrŕfica |
|
BRUGNOLI
Valeria |
Trazos
Urbanos de una identidad |
|
BRUNDRITT
Jean |
Speaking
without words: photography as agent
in communication and
self-representation |
|
BURN
Tim |
To
shot or not to shot. Anthropology,
Ethnography and the Documentary in
Relation to Aboriginal Culture |
|
BURNETT
Ron |
The
eyes don't have it:video images and
ethnography |
|
BURNETT
Ron |
Critical
Approaches to Culture,
Communications and Hypermedia |
|
CALLISON
Candis |
Truth
in Cinema: Comparing Direct Cinema
and Cinema Verité |
|
CAMPOS
Luis |
Etnicidad
e iconos no tradicionales de
representaciónentre los Mapuche de
Santiago |
|
CARSWELL
Sue |
Aesthetic
Choices: Negotiations in the Field |
|
CIARCIA
Gaetano |
L'ethnofiction
ŕ l'oeuvre. Prisme et images de
l'entité Dogon |
|
CONORD
Sylvaine |
La
choix de l'image en anthropologie:
qu'est ce qu'une "bonne"
photographie? |
|
CRINALL
Karen |
My
Aunt, Our Mother, Their Face:
Sharing Identity in a Family
Photograph |
|
DADLA
Joy |
Capturing
the Past |
|
DE
FRANCE Claudine |
L'antropologia
filmica: una genesi difficile ma
promettente |
|
DUFFIELD
Katie |
Visual
Research Method |
|
FARIS
James C. |
Photographic
Encounters: Leni Riefenstahl in
Africa |
|
FLAHERTY
Robert J. |
Life
Among the Eskimos (1922) |
|
FLAHERTY
Robert J. |
How
I Filmed 'Nanook of the North' (1922) |
|
FLAHERTY
Robert J. |
Picture
Making in the South Seas (1924) |
|
FLAHERTY
Robert J. |
The
Handling of Motion Picture Film
Under Various Climatic Conditions
(1926) |
|
FLAHERTY
Frances Hubbard |
The
Odyssey of a Film-Maker (1960) |
|
FORBIS
Melissa M. |
"This
is my body": Gender, tattooing
and resistance in the United States
(1994) |
|
FRIED
Gregory |
True
Pictures |
|
FROST,
MONTGOMERY, HINTON |
The
Acculturation of Film and Video in
Anthropology Teaching |
|
GARCIA
Antonio |
La
imagen etographica |
|
GAULE
Sally |
Juxtaposing
Race: Configurations of Alterity in
South African Photography |
|
GOLD
Steven J. |
Arab
Americans in Detroit (Photoessay) |
|
GONZALEZ
RAMOS Ana Maria |
Los
graffiti de La Chana como
proceso inconsciente de afirmación
del barrio |
|
GRADY
John |
Reflections
on Grounded Theory and Sociological
Movie Making |
|
GROSS
Larry |
Life
vs. Art: The Interpretation of
Visual Narratives (1983) |
|
JACKA
Tamara & PETKOVIC Josko |
Ethnography
and Video: Researching Women in
China's Floating Population |
|
JACKNIS
Ira |
Alfred
Kroeber and the Photographic
Representation of California Indians |
|
HENLEY
Paul |
The
Promise of Ethnographic Film |
|
HARRIES
Patrick |
Photography
and the Rise of Anthropology:
Henri-Alexandre Junod and the Tonga
of Mozambique and South Africa |
|
HERENIKO
Vilsoni |
Representations
of Pacific Islanders in Film and
Video |
|
HUGHES-D'AETH
Tony |
Ethnographic
Photography and John Lindt |
|
JAMES
Allison and BOOT Jo |
Anthropology
Meets Photography on the Internet |
|
JONES
Nora L. |
The
Mütter Museum: The Body as
Spectacle, Specimen, and Art |
|
KANNIKE
Anu |
Picture
as a Source of Everyday Culture |
|
KRASE
Jerry |
The
Present/Future of Little Italy (Photoessay) |
|
KOURI
Mauro Guilherme Pinheiro |
A
Fotografia Mortuária na Cidade do
Recife, Pernambuco:
Indicadores de um Imaginário Urbano
sobre Fotografia e Morte nos Finais
da década de 1990 |
|
KUPIAINEN
Jari |
Toto
isus, Charms and Photos: Visual
Ethnography on Gatokae, Western
Solomon Islands |
|
LAUGHREN,
Pat and LONG, Chris |
Australia’s first
films: facts and fables |
|
LEITE
Marcelo Eduardo |
Militao
Augusto de Azevedo:Um olhar
particular sobre a sociedade
paulistana (1862-1887) |
|
LEE
Kijung |
Film,
Culture and Generation Gap: An
Anthropological Study of Chimhyang,
a Korean Feature Film |
|
LEONARD
Alex |
What
Filming Feels Like |
|
MACDOUGALL
David |
Social
Aesthetics and The Doon School |
|
MASLIN
Marcel |
Baldwin
Spencer, cinematographer |
|
MASON
Bruce |
The
Digital Ethnographer |
|
MATHERS
Museum |
Reading
Photographs (American Indians) |
|
MICHAELS
Eric |
TV
Tribes (1982) |
|
MICHAELS
Eric |
A
model of teleported texts (with
reference to Aboriginal television) |
|
MONRO
Kylie |
Representations
of Tibetans |
|
MONTE-MOR
Patricia |
Sobre
antropologia e imagem |
 |
MORTON
Chris |
‘Interesting and
Picturesque’: Staging Encounters for the British Association in South Africa, 1905 |
|
NORDSTROM
Alison Devine |
Persistent
images : photographic archives in
ethnographic collections |
|
OFFLER
Naomi |
Shock,
Judgement, and the Stereotype:
Exploring the Role ofEmotional
Response in Ethnographic Film
Reception |
|
OHA
Obododimma |
Yoruba Christian Video Narrative and Indigenous Imagination |
|
PEREIRA
Claudio |
O
filme etnografico como documento
historico |
|
PLATTET
Patrck |
La
course de deux bous du rennes,
commentaire ethnologique d'une
photographie de terrain |
|
POIGNANT
Roslyn |
The
photographic witness? |
|
PULJAR
Sanja |
The
Impact of Filming on a Local Custom |
|
PROSSER
Jon |
Personal
Reflections on the use of
Photography in an Ethnographic Case
Study |
|
RAMOS
Jorge |
Acerca
sobre las discursividades |
|
RATCLIFF
Don |
Video
and Audio Media in Qualitative
Research |
|
REDDY
Prerana |
The
Emergence of Ethnographic Film
Practice: Past Travels and Future
Itineraries |
|
REINWALD
Brigitte |
Film,
orality and performance : "Keita
- L'heritage du griot" |
|
REYNA
Carlos |
Video
e pesquisa antropologica: encontros
e desencontros |
|
ROBERTS
Martin |
The
Self In the Other: Ethnographic
Film, Surrealism, Politics |
|
ROBINSON
Penny |
I
Had a Funny Experience One Day: An
exploration of some aspects of the
experience of researching the life
story of a New Zealand former
Prisoner-Of-War using personal
narrative, audio-recording and
photo-elicitation as research
methods |
|
REYNA
Carlos Perez |
Video
e investicaciňn antropolňgica |
|
ROTHA
Paul |
Robert
J. Flaherty, a Biography by Paul
Rotha. Edited by Jay Ruby (1983) |
|
RUBY
Jay |
The
Death of Ethnographic Film |
|
RUBY
Jay |
The
teaching of visual anthropology
(1989) |
|
RUBY
Jay |
Is
an ethnographic film a filmic
ethnography? (1975) |
|
RUBY
Jay |
Visual
Anthropology
---------------------------- (Spanish
version) |
|
RUBY
Jay |
Exposing
yourself : Reflexivity, anthropology
and film |
|
RUBY
Jay |
Seeing
Through Pictures : The anthropology
of photography |
|
RUBY
Jay |
An
anthopological critique of the films
of Robert Gardner |
|
RUBY
Jay |
The
belly of the beast: Eric Michaels
and the anthropology of visual
communication |
|
RUBY
Jay |
Franz
Boas and Early Camera Study of
Behavior |
|
RUBY
Jay |
Out
of th e Sync : The cinema of Tim
Asch |
|
RUBY
Jay |
Speaking
in tongues :Locating a New Voice for
Ethnographic Film |
|
RUBY
Jay |
Review
of "Ethnographic Film" by
Karl Heider |
|
RUBY
Jay |
Up
the Zambezi... |
|
RUBY
Jay |
The
Viewer Viewed: The Reception of
Ethnographic Films |
|
RUBY
Jay |
Some
Oak Park Stories: Experimental
Ethnographic Videos |
|
RUBY
Jay |
The
Professionalization of Visual
Anthropology in the United States -
The 1960s and 1970s |
|
RUOFF
Jeffrey |
Conventions
of Sound in Documentary |
|
RUOFF
Jeffrey |
An
Ethnographic Surrealist Film: Luis
Buńuel's Land Without Bread |
|
RUOFF
Jeffrey |
On
the Trail of the Native's Point of
View: The Göttingen International
Ethnographic Film Festival, Göttingen,
Germany, May 11-15, 1994 |
|
RUOFF
Jeffrey |
Reminiscences
of a Journey to the Flaherty Film
Seminar |
|
RUOFF
Jeffrey |
Around
the World in Eighty Minutes: The
Travel Lecture Film |
|
RUOFF
Jeffrey |
Can
a Documentary Be
Made of Real Life |
|
RUSOWSKI
Daniela |
Distinciones
Históricas y conceptuales |
|
SHERWOOD
Robert E. |
"Nanook
of the North"in The Best Moving
Pictures of 1922-23 (1923) |
|
|
SOCIETY
FOR VISUAL ANTHROPOLOGY |
Guideline
for the Evaluation of Ethnographic
Visual Media
|
|
STRASSLER
Karen |
Stories
of Culture: Difference, Nation and
Childhood in "Children of a
Thousand Islands", an
Indonesian Television Series |
|
TAKARAGAWA
Stephanie |
Experimental
Ethnography |
|
TOMASELLI
Keyan & PRINSLOO Jeanne |
Video,
realism and class struggle:
theoretical lacunae and the problem
of power |
|
VASQUEZ
Fernando |
Imagen,
comic e antropologia |
|
VEGA
SOLIS Cristina |
Miradas
sobre la otra mujer
en el cine etnográfico |
|
WILLIAMS
Carol C. |
Photographic
Portraiture of Aboriginal Women on
Canada's Northwest Coast circa
1862-1880 |
|
WORTH
Sol |
Studying
Visual Communication (1981) |
|
WORTH
Sol |
Toward
an ethnographic semiotics (1977) |
|
WORTH
Sol |
Margaret
Mead and the Shift From "Visual
Anthropology" to the "Anthropology
of Visual Communication |
|
WORTH
Sol and ADAIR John |
Through
Navajo Eyes |
