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Tsang, Hing
Semiotics and Documentary Film. The Living Sign in the Cinema
2013, De Gruyter Mouton |
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Karp, Ivan - Kratz, Corinne A. - Szwaja, Lynn - Ybarra-Frausto, Tomas (eds)
Museum Frictions. Public Cultures/Global Transformations
2006, Duke University Press |
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Karandinou, Anastasia
No Matter: Theories and Practices of the Ephemeral Architecture
2013, Ashgate |
Journals |
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Visual Anthropology
Vol. 26, n. 5 |
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The Library contains more than 2200 publications related to visual anthropology. ethnographic film, photography, and visual culture. Search the Library
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Imaginero. The Image Man
(1970, 53 min.)
by Jorge Preloran
Distribution: DER |
Imaginero is an ethnobiography of Hermógenes Cayo, a self-taught woodcarver and painter who lives on the high Andean plateau of Argentina. The film portrays Hermógenes, his wife Aurelia Kilpe, and their children in their Andean lifestyle, as well as Hermogenes' passion for painting, carving, building, and his devotion to the Virgin Mary.[read more] |
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Zulay facing the 21st Century
(1989, 110 min.)
by Jorge Preloran
Distribution: DER |
Filmed over a span of 8 years, this film is based on dialogue between Zulay Saravino, an indigenous Otavaleña of Equador, and Mabel Prelorán, an Argentine anthropologist living in Los Angeles.
The Otavalo Indians are industrious landowners and farmers who have also transitioned somewhat to a textile-based economy, selling handwoven garments to tourists at markets in Quito. [read more] |
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Cochengo Miranda
(1974, 53 min.)
by Jorge Preloran
Distribution: DER |
The extensive region of the Pampas in Central Argentina is one of the most fertile in the world. However, as the rains subside towards the West, the land becomes arid and dry. Here live a sparse population of rugged cattlemen whose nearest neighbor may be 10 miles away. The center of life is a well and a windmill to which the cattle come every day to drink, and then go off to find the scarce grasses in the vast plains where no fences are necessary. [read more] |
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